Friday, 15 April 2016

EAC 273 - Creative Adaptation of "A New Life" by Rukhsana Khan

 Here's my creative adaptation of "A New Life" by Rukhsana Khan


            I see Hamza in the school’s hallway this morning. He looks like as he was thinking about something. He gives no response when I wave my hands at him. I want to ask him what is wrong, but Rada grabs my hand because classes are about to start. So I run to the classroom instead.

            After school, Hamza and I walk home together.

            I ask Hamza, “What is troubling you?”

            Hamza does not even look at me.

            He says, “Nothing.”

            But it must be something! I think to myself and say, “I saw you walked like a zombie in the hallway!”

            My friends and I just read a book about zombies in one class this afternoon. Ms. Thomson took the book away as she found out that we were reading such book. She said that the librarians must have made mistake and we shouldn’t read that violent book.

            Hamza gives me a confused look. I doubt he doesn’t know what a zombie is. I’m ready to tell him but I see the sandbox, as we pass by, and I recall those bully kids. I cry, “Did those bad kids come back for you?”

            “No,” he says, “Even if they came back, I would have beaten them for sure.”

            “Hmm,” what could that be then? I keep guessing, “Oh, are you in love with someone?”

            Hamza rolls his eyes. That’s a No, I guess.

            “Did you make mistakes in the school?” I ask.

            Hamza stops and does not answer my question. I think I guessed it. So I comfort Hamza, “It’s ok, Hamza. They wouldn’t beat us. You know that.”

            “What did you say?” Hamza turns towards me. He isn’t paying attention.

            “What were you looking at?” I watch over Hamza, and then I see a group of kids playing baseball. I continue on, “I asked, if you made mistakes in the school.”

            Hamza shrugs, “I told you nothing. Let’s go home.” And then he walks away quickly from that baseball field.

            ·
            Another day, in the schoolyard, I notice Hamza sits on a bench alone watching his friends playing baseball.

            “Hamza!” I yell and run to him, “Why don’t you playing with your friends?”

            Hamza looks at me for a while and says nothing.

            “What’s going on?”

            Hamza kicks the rocks around his feet. He looks annoyed,  “Stop asking.”

            “But…”

            “Just go away and play with your friends!” Hamza yells at me.

            I have an urge to sob; so I run away.

            Hamza thinks I’m annoying. I don’t want to speak with him anymore.

            We do not speak when we walk home.
           
            We do not speak when we do homework in our bedroom.

            We do not speak when we eat dinner together.

            During dinner, Abugee notices the weird flow between Hamza and I.

            He coughs and says, “How was school?”

            Hamza answers, “It was fine.”

            “Nothing; fine; you always say that.” I whisper to mock Hamza.

            “I can hear you.” Says Hamza as he throws away his spoon.

            “Hamza!” Abugee growls, “You are the older brother; you need to take care of your sister; and watch your behaviour!”

            Hamza stays silent and stands up to head back to our bedroom.

            “I am full.” He says as he walks away from the dining table.

            Abugee turns towards me, “What happened?”

           I don’t want to tell Abugee about Hamza’s weird behaviour, because Hamza apparently doesn’t want anyone to know whatever it is about. And I don’t want to betray Hamza.

            “Nothing Abugee. We’re fine.” I look away.

            I don’t even believe what I say.  

            Abugee signs and says, “Khadija, each of you two should be the closest person to another in this world. You should support each other.”

            “Now finish your dinner and go do your homework.”

            Abugee looks tired. I feel sorry.

            Hamza had already gone to bed when I come into the room.

            I head towards my bed in the dark and lay on my bed too.

            A moment later, I hear Hamza asks, “Awake?”

            “Hmm.” I respond.

            “I heard what you said outside.” He says.

            I almost think he means my whisper on the dining table.
           
            “I am sorry.”

            “I am sorry.”

            We almost apologize simultaneously.

            We laugh out after.

            “Do you want to know what bothers me?” Hamza offers.

            “Would you tell me?”

            “Don’t tell Abugee though.”

            “Of course.” I reply.

            “They got new gloves for baseball and I didn’t.”

            “Why don’t you tell Abugee and he would buy one for you.” I suggest.

            “I know he would; but he is very tired for our family. I don’t want to be extra burden to him. Khadija, don’t tell Abugee.”

            “Hmm.” This is my response and we both stay silent afterwards.

            Soon I hear Hamza’s heavy breath, though, I am still trying to think what I can do for Hamza.

            Hamza has changed. He wouldn’t be so considerate for Abugee when we were back in Pakistan.

            I want to do something for him, but I just promised him not to tell Abugee.


            Hmm, maybe I can hint to Abugee about Hamza’s interest in a baseball glove when Abugee is about to pick a birthday gift for Hamza.           


****************************

            This is a scene between the original scenes when Hamza and Khadija’s parents found out Hamza had a fight with other kids, and when Khadija visited Margarita’s home and Rata’s home, in chapter four. Because there is a gap between these original scenes, there is a flexibility to add something. I choose to write such a scene because there are not too many conflicts between Hamza and Khadija in the original story. I think Hamza and Khadija would become closer as they go through these conflicts. Also, I want to show that children are worried for their parents too. In my scene, Hamza does not want his family to know that he is bothered about not having a new baseball glove. My scene also helps to understand that it is normal to have fights and arguments between siblings, since the author did not emphasis on siblings’ conflicts in the original story. Arguments between siblings could make the story more real. Also I want to show that immigrant families’ children became more considerate for their families, such as how Hamza does not want to give Abugee extra burden.

            I made several choices to ensure that the characters remained faithful to the characters in the original story. Firstly, Hamza does not let his family know his troubles often. I tried to remain his personality as the original story does. Secondly, Khadija shows her love and care to her family directly.  She worries about that Hamza would get beaten after he pulled the alarm in the original story. She also helps Hamza to think positively. In my scene, Khadija finds out Hamza’s weird behaviours and shows her care for him. Thirdly, Abugee loves his kids and he notices the weird interaction between the two kids on the dinning table. I tried to keep Abugee’s different attitudes to each child. He is more strict to his son and gentle to his daughter. The family loves each other but they show their loves in different ways. My scene resonates with the siblings’ bed conversation from the original story. In my scene, they have a bedroom conversation in the end too. I think it is very common that siblings, who share one same bedroom, to have conversation after the lights are out. In the book, his parents scolded Hamza, partly because he did not tell his parents that the fight was for Khadija. In my scene, Khadija does not want to “betray” Hamza as well. Khadija’s recall about the bully kids as they pass by the sandbox is also my choice to connect original scenes and the new scene together.
           

            When I write my adaptation, I tried to follow the author’s writing style by using a childish tone. The sentences are short. It is a first person’s view from Khadija and I use present tense mainly, just like the author did in her story.

What I have learned from "Invitations to Joy" by Jean Little

        In my Children’s Literature class, we have studied “Invitations to Joy” by Jean Little. According to Jean Little, reading is the joy. She thinks that writing should also be joyful for children and writer. Jean Little thinks writers should be responsible for themselves and their works. The writer should try their best to writers the story instead of "playing famous".  Jean Little also thinks as writers, their job is to write about both good and bad side of our lives. Not just paying too much attention to the public's standard for children's books. Sometimes writers play safe to meet the public's standard for children's books. From their books, children learn our world in a narrow way. They don't understand emotions such as loneliness, fear, sadness are also part of our lives. Also, parents, teachers, and librarians make decisions on the books for children to read. However, it could limit children's imaginations and influence children's ability to make decisions.

Leslie's essay from A Bridge to Terabithia

Here's Leslie's essay from A Bridge to Terabithia :

"I'm moving gently forward,
  
over the wild and beautiful,
unexplored world below me.
  
I'm floating in silence,
  
and breaking it up
with the sound of my breath.
  
Above me, there's nothing
but shimmery light,
  
the place where I've come from,
  
and will go back to
when I am done here.
  
I'm diving.
  
I'm a scuba diver.
  
I'm going deeper past
the wrinkled rocks and dark seaweed
  
toward a deep blueness
where a school of silver fish waits.
  
As I swim through the water,
  
bubbles burst from me,

wobbling like little jellyfish
as they rise.
  
I check my air.

I don't have as much time
as I need to see everything,
  
but that is what makes it so special."

(Source:  http://www.script-o-rama.com/movie_scripts/b/bridge-to-terabithia-script.transcript.html)


It is a very beautiful piece and I think it is worth a share. In the film "A Bridge to Terabithia", Leslie told Jess that she had never been to a diving; all of these experiences came from her imagination. "A Bridge to Terabithia" really establish the power of imagination. This essay foreshadows Leslie's death as it says "I don't have as much time as I need to see everything," and "Above me, there's nothing but shimmery light, the place where I've come from, and will go back to when I am done here." 

I like her essay lot. Especially when I watch the film again, after I already knew Leslie's death in the later part of the film. I was really sad when I watch Leslie presenting her essay in class. My first thought was "why it has to be her?" and my second thought was"of course it can be her, it can be anyone." Death and unfortunate happen in our lives. Knowing that Leslie's death is related to the water. I deeply hope that Leslie wasn't that suffering as she approaching the end of her life. 

Review of “The Orphan Boy” written by Tololwa M. Mollel



          “The Orphan Boy” written by Tololwa M. Mollel was one of the books we discussed in class. The genre of “The orphan boy” is fantasy but it also feels like a folktale. In “The Orphan Boy”, the antagonist is the protagonist himself. The protagonist is the old man. An orphan boy came to him and delighted his life. Soon the old man became curious to know the secrets of the orphan boy. He was struggling because he did not want to break the trust between him and the orphan boy. In this conflict, the old man’s desire won. He followed the boy and found out the orphan boy was the star. As the result of this conflict, the orphan boy returned to his star and the old man remained in his regents. He learned that he should not break his promise and he should not let his desire controls his decisions.


          The media of the illustrations looked like oil paints or acrylic to me. I think this choice of media was because the illustrator wanted to establish the historical feeling of this particular story. The illustrations interpret the text very well. The illustrations are detailed and decorated the text well, it expand some feelings that the text did not mention such as the struggling between the old man and his desire and the sacrosanctity of the orphan boy. The colours of these illustrations also guide the readers through the story. The illustrations were bright and warm in the beginning then they turned to dark and cold in the climax when old man struggling with his desire, and then the colours became bright again in the ending. Colour always helps readers, especially young readers to understand the progress of a story.

A thought about "The Red Tree" written by Shaun Tan


         "The Red Tree" written by Shaun Tan was one of the “difficult stories” we have studied in Children’s Literature. It is a difficult story because the theme of this story is about children’s depression and the illustration of this book is not quite suitable for kids.  When we read “The Red Tree” in class, we were surprised about these illustrations in the book. The illustrations are very dark, complex and depressed. We wondered why such illustration could be used in a children’s book. Later when we were discussing it, we found that the book is not only about depression or trying to make children depressed. It is also telling children and adult readers that children’s depression exists and horrible things will pass no matter how bad your current situations are. The benefit of publishing this kind of story for children is letting them know that bad things happen in our life are normal. It is normal to feel sadness and depressed. And those moods and times will pass.

Not just about the depression

          When I was still in high school, Shaun Tan’s animated short film "The Lost Thing" amazed me. My decision to study animation at Seneca was more or less affected by "The Lost Thing" and many other terrific animations and feature films that I enjoyed and was motivated by.

            Shaun Tan’s short film "The Lost Thing" was based on his book of the same name. I knew it, but I had never gotten a chance to read the book itself. I recognized Shaun Tan when I read his book "The Red Tree" in class. I couldn't say which one is better. I like "The Red Tree" as much as I like "The Lost Thing". They are two different stories yet similar in many ways. Both of them happen in an industrialized world; people were numb and depressed in there. They lost their curiosity and stopped noticing interesting things in their lives. Both stories were about looking for answers about who you are meant to be and where you belong. My favorite line from "The Red Tree" was "Suddenly there it is, right in front of you bright and vivid quietly waiting,", and then the red leaf grew to a red tree. The red tree symbolizes hope to me. This line also reminded me a scene in "The Lost Thing". When the gate opens, a dramatic, bizarre and colourful world is suddenly revealed and the lost thing find the place where it belongs. That was an enormous difference compared the depressed and ordinary world. Similarly, in "The Red Tree", the little girl saw the red tree grow up and she was no longer depressed. These endings also brought up ideas that besides depression, feeling lost and confusion; there is also happiness, hope and excitement in our life.


            I enjoyed reading and watching Shaun Tan's works. I like how detailed and entertaining his artwork were, such as the trail of red leafs in every page and Chinese newspaper prints in the background. I also like how Shaun Tan built up the whole story with depression but gave us such warm contrast by the end.